Symphony Of Colours (Online Exhibition)

When the mind melts away, what’s left? A void mingles with the void. Hence rather than the iconic or limitation of appearances Sangeeta searches for the more meditative pictorialization of imagined visual experience.
Sangeeta’s work is instinct with movement, and so this once with full knowledge of what she is excluding from it. This time around she represents nothing at all, and merely presents, or if you like, enacts the choreography of normally not noticed objects, things, materials, etc, she presents the energy behind the apparently neutral, non-gendered fact. It is how, over here, we have the joints, the pins and needles, the sticks and stones in their fascinating square dancings, dialectics, matings or courtships, and so on. These are overtures of material reality as well as its upshot, the reflections in our own minds, the concourse of specters, shadows, and shades. The forms or configurations that our perceptions assume.